MC7C's 2 Year Anniversary, Interview with k@t & Gabe

It is our 2 Year Anniversary!
So to jazz things up, we decided to interview each other so our readers could learn a little more about MC7C's K@t & Gabe. We've grown a lot in the past couple years and interviewed a lot of artists. We appreciate all the words of advice, encouragement, praise, artists, bands, and fans. We are doing this for you and hope that this year will bring MORE change to the local art scene.

k@t interviewing Gabe:

State your full name: Gabriel Edward Perry.


Gabe performing as Hindu Pez @ Steppin Out VB


What was your first thought we meeting me?

My first, honest thought? 'This girl is trouble'. ha ha ha.



Why do you think we started MC7C?

We started it because the promoters in the area at that time were not doing their jobs. I was fed up with playing shows and having 5 people there. I was sick of going to shows and not seeing any cross-over crowd (ie punk kids at the metal show, spooky kids at the folk show, etc) and I felt that, with my knowledge of the music scene and your passion, we could make a really big effort to fix it.


Gabe and k@t at the Blue Plate / Hindu Pez Show

Do you think we've accomplished what we've set out to do with no budget, starting from nothing, and having just our wits?

I think we've done what we've set out to do. The lack of a budget puts a limit on doing certain things, but the end result of our effort is the same. We're here to promote bands and artists, and with the internet, there's not a need for blowing a bunch of cash to do that. Taking 5 minutes out of your day to message 50, 60 70 people about a show coming up doesn't require cash. Sure, some promoters have shirts and stickers and things, but does that promote the bands and artists, or themselves? So yes, having started from nothing but an idea and still having no budget, I think we've done really, really well.


Photo by Last Deviant (featured MC7C artist!)


What did you think about Joan of Art? Success? Anything you would have done differently?

I think Joan of Art was flawless. The girls did an incredible job of promoting themselves. Fuzion did their thing and really came through with the display boards, the food, the whole spread. Everyone was very professional in that sense...making sure things happened and went well. The crowd was an embodiment of what I hope to achieve with any event...it was a mixed crowd of different subcultures, all gathered for one thing : art.


Photo by Twist

What is the most beneficial thing you've gotten out of working on MC7C?

Appreciation for other forms of art and music. The older I get, the more closed-minded I want to become, and being in contact with different bands really helps me stay away from that. I've also gotten a great appreciation for a lot of forms of art (vector art comes to mind) that I either wasn't very familiar with, or didn't care for previously.


Gothic Prom at the Wave (Gabe/k@t M1 from Heretics in the Lab)
Photo: Nudigi


What is the least beneficial thing you've gotten from working on MC7C?

Headaches from people's apathy. With all the work that we've done, as well as other promotions groups, there's still this underlying apathy amongst bands who really aren't interested in either helping themselves or each other. I can't understand how someone could say "no, really, it's cool. I don't want help promoting my band for free". That boggles my mind in a way I can't grasp.
Ultimately it's their choice. I just don't get it.


Photo by k@t

If you have a ton of money right now, what would you do?

...


Favorites:

Local Hot Spot - Phil's Grill!

Best Italian Food - La Bella italia

Best Sushi - Volcano. no discussion.

Venue - I like playing steppin' out. Great sound, nice owners. Great promotion.

Local Band - The Minus Men!

Local Artist - Malice Art!

TV Show - I'm doing less TV and more reading, these days.

Song at the Moment - Alec Empire - ward like it's a pose

Pair of Shoes - I've got a custom pair of Chuck Taylors that k@t got me for Christmas with my name on 'em. Fuckin' pimp.



Finish these statements:

When I am at my most happiest....I don't know how to handle it, sometimes. It's hard for me to process extreme emotions.

When I was little I wanted to grow up and become a...rock-n-roll star. Just like the song 'lunchbox'. Yeah, I said it.


Gabe performing in Heretics in the Lab Budda's Newport News

The local music scene is.....full of potential. Let's make it happen.


photo by k@t

The animal to best capture my personality is.....a raven. Yes, a gothic stereotype, but hear me out. Ravens are curious, playful birds who will do things like roll in the snow because they enjoy it. They're also mischevious and get into things like people's houses and cars. How many animals are that clever?

People refer to you as Gothic, do you think you're categorized as Gothic or don't like labels? What categorizes someone as Gothic? Is it the clothing, music, outlook at life, or something deeper?

You can call me what you want. Gothic, gay, asshole, insane. I'm indifferent to it. A label is a label is a label. I am what I am, I do what I do, I look how I look. I won't give any reason to it. This is what I like to wear and do. Everything else is some horse-shit attempt to justify one's reason for looking "odd".

The goth scene...just like any other scene, has its basis in music. If Bauhaus didn't come along with bands like Alien Sex Fiend, look weird and play raw, dirty music, there would be no goth scene. period.


Photo: Last Deviant

How would you like to see the art scene change or evolve?

I'd like to see more collaborative pieces between artists. Two guys doing a painting, for example. We've got a chunk of artists who make things like dolls and plush creatures and things...it would be cool to see these people collaborate, too. Putting two creative minds together is interesting, and I think the end results are usually very inspiring.

How would you like to see the music scene change or evolve?

I'd like to see venue owners doing their job and promoting their own venue. I think that would help, tremendously. I'd like to see more mixed bills. Why should it be A Metal Show, or A Punk Show, or An Indie Show? Why can't we have a really random, retarted bill of 4 different genres?

What do you want our readers to know about us (MC7C) and to share with them about what we do?

We do our best to tell you guys about upcoming shows, neat art events, and anything else that appears on the art and music radar. Sometimes we miss a show or something, but understand that we're two people with day jobs, and it's not easy to play the balancing game. We love what we do, and we hope that you appreciate what we do on some level. We put a lot of effort into contacting bands about doing interviews for features, we put a lot of thought into putting the features online. We hope you take the time to read each one, and that you get something beneficial out of each one.


Photo: Nudigi


Photo: Daniella

Gabe Interviews k@t:

State your full name:k@t Marsh

What was your first thought we meeting me?

(July 2006) I thought you were some strange musician guy who was way too animated. You were playing with Heretics in the Lab at the Peppermint Beach House wearing electrical tape, headrag, and were super skinny. I remember having a buzz from my vanilla vodka and coke and talking some utter b.s. to you about the local scene. I was hanging out with Deviljoy and Toad mentioned that you were also the noise musician, Hindu Pez. You had befriended me via myspace months before that and I remembered having a few comments shared. So I sent you a message later on that weekend and we started comparing friends and view points.


Photo: DJ Figurehead at The Wave Doom Gloom

Why do you think we started MC7C?

We started it because we were sick of people in the scene complaining and not doing anything about it. There wasn't a local publication covering multiple calendar events, interviewing local artists, and connecting the locals with the artists. We figured we could make it a little better, which was better than nothing.

Do you think we've accomplished what we've set out to do with no budget, starting from nothing, and having just our witts?

I think we've done an outstanding job. We kinda evolved the project into something on a different level. At first I thought we'd just interview some artists, plug some shows, and get the people out to shows...who knew it would be what it is today! We actually created and organized one of the largest non-profit art shows the local area has seen without the backing of high dollar people. The night of Joan of Art last September was very special to me. Through all the stress, organizing, emails, begging, pleading, and loss of sleep, seeing hundreds of people from every age group / genre / background in one place, was overwhelming. I've also made a lot of friends along the way. It's nice going to events and shows and see the progress we've made. Everyone has had a hand in it. Everytime they attend a show, let us know who to feature next, repost a bulletin, or post a MC7C banner on their page...it changes the scene.


Photo: Matt McClure at Illusive Media's Art Show Feb 2007

What did you think about Joan of Art? Success? Anything you would have done differently?

I think it was a success because we needed it to be for the 757 area. The intentions were pure. The artists were stellar. The sponsors were gracious and kind. The attendees were every color, shape, and degree. People were excited to see art. They were sick of nothing going on around town. They were just as excited as the artists and us. It was vital. Plus, having it be an all girl art show with a female DJ (Spookster) made it extra special. Why not show the area what kind of hot and talented women we have right under their noses. I think I would have stressed less and had more fun during the actual show. I don't think I would have done it any differently. Everyone was great and super supportive.

Now to plan our next event.....I want to start looking for a venue to host it.


Photo by Twist


What is the most beneficial thing you've gotten out of working on MC7C?

The sense that regardless of what everyone else is doing, that we've made a difference. We're not hype. We're not here to kiss butt. We're doing what we are doing to help artists and bands connect with fans. It is refreshing to go to a show or event and see a lot of people on our friend's list out there showing their support. Or get an email from a local thanking us for showcasing a band / artist, that it touched them. We do it because no one else is doing it like we are.



What is the least beneficial thing you've gotten from working on MC7C?

We usually don't get many thanks for the hard work we put in. The many hours we dedicate to the project go un-noticed. There are some that are quick to point out our flaws or an error but few to praise us for what we've done. Which I must admit is a downer sometimes. After working our day jobs, the last thing we want to do is log online and read about how a link isn't working. If I was getting paid $10 an hour to work on html coding, I think the project would be perfect, but we are doing this in our spare time. We put our personal time on hold to work on MC7C's calendar, links, features, emails, reviews, events, and website. A thank you from the featured artist or readers is always an added bonus.


Sad Face vs Metal Face @ Tonic's Deviljoy Show

If you have a ton of money right now, what would you do?

I would employ a lot of the struggling artists to work for MC7C so they wouldn't go hungry anymore. I would buy a venue, hire some SANE people to run it, and have shows / events there. It would be clean, safe, and a haven for local artists. I would even have classes available for local kids / artists to learn new techniques and skills. And Gabe and I would have a HUGE wedding, buy a cute place, and adopt a puppy.


Photo: Last Deviant

Favorites:

Local Hot Spot- The New Belmont
Best Italian Food- La Bella Italia
Best Sushi- Volcano
Venue- The Boot / Norva / Steppin Out
Local Band- (As of just today) Someone Else's Music
Local Artist- (As of just today) Last Deviant
TV Show- Pushing Daisies!!!!
Song at the Moment- IAMX-S.H.E.
Pair of Shoes- Patent High Platform Heels

Finish these statements:

When I am at my most happiest....

I have on lots of glitter, showing lots of cleavage, wearing HUGE platform shoes, wearing something vintage, petting a puppy, have Gabe next to me, and have the smell of vanilla cupcakes in the air.


k@t and Devon (MC7C featured artist / friend)

When I was little I wanted to grow up and become a....

My mom said I claimed I wanted to be a Podiatrist, which the teacher in school said that was the technical term for Zoologist.(Stupid Teacher!!!!- I'll never live that down....) But I wanted to help animals. I realized that meant helping sick animals which made me sad....so I changed it to hairdresser. I got my Cosmetology license in 2000!

The local music scene is.....

A work in progress.


Jen, Brook, k@t (MC7C Featured Artists and Ladies of Joan of Art)

The animal to best capture my personality is.....

ummm....a snow leopard jaguar.

Do you think you're categorized as a certain genre or don't like labels? What categorizes someone as a certain label? s it the clothing, music, outlook at life, or something deeper?

I am not sure what people see me as. Some think I'm Gothic, some Punk, and one guy thought I was a drag queen (which made my whole night!!!). Put in the words of Bruce McCraw," You're just k@t"! I think categories are for people that don't know how to understand certain looks that people have. In general, we all fall victim to labeling each other because that is how we are raised. Just because you have a mohawk or listen to a band doesn't mean your personality is neatly outlined into a "punkrocker" category. Haven't we evolved beyond labels? It's kinda like our scene, haven't we evolved into wanting better?

How would you like to see the art scene change or evolve?

I would love to see people helping each other more. It should be less about hype and popularity and MORE about what we can do (as a whole) to help one another to get shows, book shows, sponsor events, share art, and have a good scene. The first step is communication. The second is stop whining and start doing what you can do to help one another.

What do you want our readers to know about us (MC7C) and to share with them about what we do?

I'd like them to know that one of the reasons I started doing MC7C was to instill hope within myself to keep going. When MC7C was established in August 2006, I was diagnosed with Chronic Fatigue Syndrome on top of my Fibromyalgia diagnosis. I was very ill and was unable to get out of the house much. Working on MC7C was something I could do from home and something that kept my spirits up on my worst feeling days. Gradually, as the project started gaining momentum, I started feeling better. I think that giving back to others, despite your disabilities or obstacles, brings you into a higher state of mind and place in life. It,not only, gives you a purpose to keep going but also the continuance of hope within others.

I also met Gabe through the project. After working with him for some time, we became good friends and figured out we were attracted to one another. We got engaged in November 2007 and hope to nail down a wedding date in the near future. I've also been blessed to meeting many wonderful friends and fans through MC7C. Without them, there would not be MC7C, they are what makes the local art scene a community. Thanks to all of you for your support! We appreciate it greatly.


Hosting the Renewal Art Show in March 2008 -Sidney Martin /k@t / Gabe
Photo: DJ Figurehead


K@t and Bruce in C-ville Hindu Pez Show at the Outback Lounge


Last Deviant and k@t Oct 2007
Photo: Projekt Photo


k@t and Gabe at Heretics in the Lab Show

Thanks-
k@t and -Gabe-

Interview: Look Alive Project

Look Alive Hampton Roads!





INTERVIEW

How did the two of you meet and start the Look Alive project?

Jarrett: Reese and I met quite a few years ago... she auditioned to play bass in an old band of mine. We've stayed friends ever since, and when I started putting the people together to work on this whole thing, she was one of the first i thought of. We're just two of the handful of super-dedicated people that've been working their hearts out on this event.

Reese: We met a few years ago, when I tried out for one of his bands. We became friends. I, honestly, never thought that I'd be standing here today takin this huge project on with him, but I fell in love with the idea the second I heard it. I think Jarrett knew before ever asking me that I would do this in a heart beat.



Where did you get the idea for it?

Jarrett: I spent three years living just outside of New York City, and when I wasn't on the road, I frequented all the dirty rock clubs and all the amazing art galleries up there in Chelsea and in the Village. There was always something going on.... and it was brilliant. Every night was an event, and you really felt like you were a part of something special. When I returned to Hampton Roads last year, I really missed that feeling of community among the creative culture. And the unfortunate part was there were people here that were just as talented, if not more so, than the bands and artists i used to go catch in NYC. I figured I could do one of two things, a. be apathetic about it, and just sit on my hands and wait for a sea change, or b. try and make a dent in that apathy and maybe help to get the ball rolling to push all of us on a course of really creating something that's our own, and that celebrates the amazing artists we have here. I know we'll never be a New York City, or a Los Angeles, obviously, and that's not the point, the hope is that maybe we can keep people from feeling they have to "run away from home" in order to find a fostering arts and music community. On top of that, we want to show the local business community that the arts can be profitable, and by opening their doors to live music and art showings, we prove that the cultural worth of Hampton Roads, Virginia reaches beyond the bow of the USS Wisconsin.

Reese: I actually can take no credit for this at all. This was Jarrett's idea. I just jumped on board the second I could.



How did you chose the TAO to receive the donations of the night?

Jarrett: I was turned on to TAO by a friend of mine. There's a lot of worthy Hampton Roads charities, some of which receive thousands upon thousands of dollars in donations a year. We wanted to go with an organization where our contribution wasn't just a drop in the bucket and where we could see first hand how that money is being used, and how its helping the folks receiving it. Tidewater Arts Outreach does something very special for this community by bringing the arts into the lives of people who's circumstances are dire. And it's truly mind blowing to watch the power an instrument or a paintbrush can have on those people stuck in the doldrums of a life-less-than-perfect. Its escapism. And it's a cause I'm very proud to support. Hopefully to we'll turn a lot of artists on to their fight as well and get them on the TAO roster to give their time and their talents to such a worthwhile cause.

Reese: Once again, Jarrett thought of this, but anything that helps the underprivilaged with music/art has my whole hearted support.



What do you think of the current state of our scene?

Jarrett: On the verge of something great. All the elements for a great scene are already in place... a great nucleus of really diverse bands who are great at what they do, plenty of ridiculously talented artists, and a handful of extremely dedicated and selfLESS promoters who just want to see the seven cities really take off. I think we're all just waiting for that Flashpoint, that moment where we go from just coming up with these ideas as to how to make things better, to when we actually start APPLYING those ideas. Once that happens, the floodgates'll open. Call me naive... But i really believe that. And i hope we can be a part of that.

Reese: I don't think our scene is dead, but it certainly is on life support. I go out just about every weekend to see live music. I'm addicted to it. Literally. I get cranky if I haven't seen live music during a given week. I think there are some great bands out there that really rock a room. There are even greater people out there that I love running into and call my friends. It's just sad to hear people who think a $5 cover charge is too much to hear good local live music. It's such a minimal fee that ensures that the band will be able to play again.

What would you improve?

Jarrett: There's a lot of work to do. And it's a fight we've ALL got to get involved in. People have got to start practicing what they preach. I know quite a few folks who'll be the first to complain about the lack of anything going on, but whom wind up spending their Friday nights at home on the coach playing "RockBand" over lukewarm Miller HighLifes instead of heading out to the Taphouse to catch some live music, or to Volume to see an art show. We've got to get the "average-joe" involved too and show 'em that anyone with an open mind can find something different here...something they enjoy... an escape from the same old corner pub week end and week out.

Reese: I think bands lean too heavily on myspace to promote their shows. It shouldn't be that way. A couple of bulletins a few days before a show is not going to pack a room. I remember when band fliers were an art form. There's a local artist, Chris Johnson, who's really bringing that back. Bands should really be hitting the streets and handing out fliers and using word of mouth.



What do you think of the venues? (Lack of support / advertising / pay? or so on)

Jarrett: Obviously if i could I'd snap my fingers and have dozens of new arts-friendly venues magically appear i would, but fact of the matter is we've got to work with what we've got. And we have to support those places that ARE waving the banner for original creativity, and encourage them to continue to do so by actually... SHOWING UP to the shows they put on. People are always so surprised when a venue converts from late night original rock club to another of the "shake-that-ass" establishment like. It's quite simple really, its about revenue... and if its not there, can you really blame a club owner for flipping the script? Live art has to become a commodity again, something people WANT to go see and experience... we can do that if we all make an effort to get out and support these bands and artists doing what they do best. If a hundred and fifty people start showing up on any given night to the Boot to see a show, trust me... other places will pay attention, and will start welcoming the same scene they once shunned. We've got to take that leverage back... and with that comes better paying gigs, more places to perform, and more involvement by those clubs to make these shows as big as possible.

Reese: There are venues such as The Taphouse, The Boot, and the South End Pub, that I love love love love to death. They treat the bands and the fans right.

How can local artists / bands get involved?

Jarrett: SHOW UP. And understand that just because its not your band onstage, or your art that's hanging, that by being there you're helping send a message to the aforementioned "powers that be" that yeah, Hampton Roads DOES has a unified arts scene, and we're working to be heard. Also the centerpiece of the Look Alive Project are the Look Alive take home totes that'll be given out to everyone in attendance... These things will be full of local artists' CDs, fliers, samples of artwork, business cards, stickers... etc. $20 gets you two tickets to the event, and placement into these bags... Head to http://www. lookaliveproject. com/totes. html for more info!

How can local businesses get involved?

Jarrett: Again with SHOW UP! Hopefully we'll have quite a show in store for you. If you'd like to donate or contribute in-kind items, visit http://www.lookaliveproject.com/getinvolved.html



What are your goals for Look Alive beyond Oct 12?

Jarrett: Right now we're all just sort of living and breathing for October 12th... We'll always be advocates for making this area a better place for creative thought, and certainly if the project goes off and meets the ambitious expectations we've all got for it.. then we'll start plotting the next step... but right now all focus is on Granby Theater October 12th.

Reese: I would love to see a room full of people enjoying incredible art and rockin music. I want young artist to gain some knowledge from the artist that have been doing this for quite a while. Bands talking with other bands and setting up truly incredible shows. I would love to see a community truly start to form.

What has been the most difficult thing about the project thus far? The best thing?

Jarrett: There's been a lot of bumps along the way... and we expected that'd be the case, but the pros have surely outweighed the cons. The best thing has been meeting so many like-minded people that are so dedicated to the same cause at the heart of this whole thing... making Tidewater a better place for the arts and its artists. Its been refreshing and invigorating to know we're not in this alone.

Reese: The most difficult thing about this has just been to find the time that this project truly deserves. I've basically given all of my spare time to this because the bands and artists in this area deserve the absolute best. The best thing about this whole thing has been seeing peoples faces light up when they get what this is all about. Every time a new band joins in the bag it's like a personal victory.



When you're not busting your tails putting this event together, what do you enjoy doing?

Reese: Well, I don't have much free time. I am going to school full time to finish my music business degree and busily studying to take my LSATs. I do love going out on the weekends, as I've said, to hear as muchlocal music as I possibly can!

Jarrett: Free time? What's that? Note to self: Wikipedia this "Free Time" expression.


How can the average person help?

Jarrett: I feel like I'm banging the "SHOW UP" drum. Get to the show on the 12th. It's going to be a great time. Pinky swear. Head to http://www. lookaliveproject. com for tickets.

Reese: Everyone can help by just telling someone else about this amazing event. Be it you call or direct someone to our website. Every little bit counts. This is a true grassroots movement and it's up to everyone to make this a true success. And, of course, you can buy a ticket for $10 that goes straight to the charity.

Shameless plug time....who do you want to plug or say thanks to this far into the game....?

Reese: I want to thank everyone who has given there time to help us. I want to thank Jarrett for asking me to be a part of this! I want to thank all of the wonderful artist and kick ass bands that motivated this whole thing!

Jarrett: Anyone who's touched this event, thrown in their donations, their time, or even their two cents. Your support truly makes or breaks this thing... See you in October.

Links:


Tidewater Arts Outreach

Look Alive Dot Com

Look Alive Myspace

Interview: Heretics in the Lab

The following feature was conducted and posted by the MC7C duo for this page. Do not copy+paste this! Give us credit for what we do!

This feature is on one of the most well-known industrial acts in Virginia, and we're proud to present hERETICS iN tHE lAB. h3 of hERETICS is the one speaking, here.



INTERVIEW

Did you grow up in Hampton Roads? If so, what cities?

I was born in Virginia Beach, VA but attended school in Virginia Beach and Norfolk. I have always felt more at home in Ghent than anywhere else in Hampton Roads.

Describe your music to someone who has never heard it.
Aggravated, intelligent, industrial music for selfish, self-centered people.



What's the writing process for your music? Do the lyrics come first? Does the music come first? Who does what?

There is no definitive writing process for h1TL. Life is my muse. An interaction with someone, whether they be a intimate lover or a complete stranger, can trigger the chain reaction that starts a song for me. Sometimes just sitting in traffic watching tail lights fade in and out of focus or admiring architecture makes me want to write music. A lot of times my shear disgust for how absolutely incapable and mediocre people seem to aspire to be is enough motivation to make me not only want to write music but to want to change the world as well. As far as the physical writing process goes, lately I seem to be starting a song on one instrument and then finishing it on another. There's been a lot of writing a guitar riff which gets transposed to synth or a synth line that ends up being played on bass etc. Keyboards, drum machines, samplers and sequencers will always be a very important writing tool for me as they put no limits on me as far as what I can do creatively.

Do you have an albums / demos / merch / releases available to purchase? Where can you buy them?

I am selling two albums right now as well as mp3's online. You can aquire all hERETICS iN tHE lAB merch at hERETICSiNtHElAB.com or myspace.com/hERETICSiNtHElAB.



What is your most crazy show story? (Any naked women running around? Drunk bar fights?)

Every h1TL show seems to get a little "crazy", really extreme is the word I would use. When you go as far as we go and do it as hard as we do it "things" are bound to happen. Most recently playing with Wednesday 13 I pulled a disco ball out of a ceiling which struck me on my head and caused massive bleeding. We seem to get hurt a fair amount at our shows without realizing it and I have the occasional "wardrobe malfunction".



How much do you think hype affects the public perception of what good
music is?

I can't remember ever paying attention to "the public".



How would you like to see the local music scene change? (venues, fans, other bands)

If you want something done you have to do it yourself. Anything I want to change with the music scene I am changing with h1TL.

What's up for the band in 2008? ( a tour, album?)

I am finishing a new album of the best material I have ever written and will possibly be seeking some type of label support. I just added a new live drummer to the band and would like to tour in 2009.

What local bands and artists do you recommend?

I have a studio and record a lot of local bands. I would suggest maybe The Lepers or The Family Trucksters.



What are your favorite venues to play at? How would you like to see the available venues to change when booking shows? (better sound / lights/ pay/ promotions)

Stepping Out is our local stomping ground and I for the most part really enjoy playing there. h1TL is something I don't do unless I can do it one hundred percent, so if I feel a venue is subpar I simply do not play there.

How do you market your music to the public? What seems to work best for you for letting people know about your shows? (Myspace/ the paper / word of mouth)

Myspace is an extremely useful tool and there is nothing like having a street team simply handing out flyers.



What is your current favorite song?

sINCERELY yOURS by hERETICS iN tHE lAB. I like it so much I might post it to our myspace in the next week or so.

Last CD bought, downloaded or stole?

The last CD I paid for with the money I have earned was The Slip by Nine
Inch Nails.

Quote us your favorite song lyrics. (please include who it is by)

I bow my head to confess The temple walls are made of flesh. -Pig Face [ed. note - the song is titled 'suck'.]



What came first, the music or the misery? Explain.

I am not miserable so it's moot.

What do you think of what MC7C does? How would you make it better? Have you been to any of our events?

I think it's great when anyone takes an interest in themselves and promoting what they do. I have been to a few MC7C events and remember having a good time.

LINKS

hERETICS @ myspace
hERETICS official home page